Swimming In A Storm
I swam in an outdoor pool today in a storm, which made me intensely understand the relationship between point and painting.
The rain in the UK was coming down from all directions in excellent filaments, and with the strong winds, the force of the rain itself as a unit was intensified and was in two states of rebound and entrapment as it came into contact with the surface of the pool so that I heard four sounds from the unit filaments. (According to Kandinsky, the tendency of a point to move is from the centre of the base surface outwards, forming a centrifugal structure. This means that when a moment occurs, we hear two kinds of sound: the absolute proprioception of the point and the sound of a given position in the plane.)
Even if the raindrops are identical, when the dots continue to accumulate on the plane, they create a loud wave of sound; from time to time, someone lets off some "air", and the resulting bubbles, large and small, together with the dots projected on the plane, grow in size and form, contributing to the agitation that intensifies and spreads out. The addition of wind further complicates the farce. The repetition of the artistic elements strengthens the inner resonance and ensures that an essential harmony is achieved.
On the other hand, the whole "swimming pool" can be seen as an independent cosmic composition containing countless individual points of composition that constantly interact with it, endlessly, self-contained and at the same time consuming each other in an attempt to conserve, with each part of the plane having a unique sound of its own and an intrinsic rendering. Each part of this plane has a sound and an inherent rendering. Ultimately, all of these constituent molecules of varying sizes originate from and return to the point. The combination of these geometrical points, in forms determined by the laws of physics, drifts in an infinite geometrical space. This reminds me of the composition of stars and how they dissolve; these points are a total potential nurturing power, as are the dots in the painting.
