Performance Environment This work revolves around the Prohibition of Spatial Destruction, questioning how individuals in hyper-regulated spaces resist passive existence and leave traces of their ephemeral presence. The work consists of three key components:

Painting: root. Ink brushstrokes sprawl like wild grass, representing how disciplined individuals seek cracks within constraints to sustain their growth. The repeated tearing and reassembling of rice paper metaphorically embody the cyclical process of cultural fragmentation and restoration.

Ink Pool: Liquid ink flows across the floor, its form continuously reshaped by the footsteps of viewers. This instability reflects the fluidity of migrant identity and the ever-evolving nature of self-perception.

Walls: Scratches, torn paper, and pigment mark the tension between permitted destruction and prohibited alteration. The walls serve both as canvases of memory and as metaphors for power structures.

Throughout the performance, I engage in subtle yet persistent acts of destruction to challenge spatial stability: scratching the walls to record bodily presence, allowing ink to seep beyond predetermined boundaries, and reinforcing torn paper through repair—suggesting the reconstruction of cultural identity. The presence of viewers further activates this dynamic process; their movements extend ink trails, their touch deepens the textures of the walls, and their participation continuously reshapes the work. In a world where spatial destruction is prohibited, individuals are deprived of the right to alter their environment, reinforcing the transient and impermanent nature of identity. Through destruction as intervention, this work ensures that ephemeral gestures leave lasting imprints in both space and memory, transforming the exhibition site into a space of resistance, negotiation, and coexistence.

本作围绕“空间破坏权的剥夺”（Prohibition of Spatial Destruction）展开，探讨个体在高度秩序化的环境中如何抵抗被动接受的状态，并在短暂介入中留下痕迹。作品由三部分构成：

绘画：20米充满墨水的宣纸深深的扎进现场地面中间并和墙面相连，水墨笔触如野草般蔓延，象征被规训的个体在限制中奋力寻求生长扎根。通过连接宣纸和头发，反复撕裂与重组，隐喻文化身份在破碎与自我身份不断重塑。

墨池：随着我将整个身体泡在墨池并不断泼洒，液态墨迹在地面流动，观者的步伐扰动其形态，形成不稳定的动态场域。这种不确定性回应了移民个体在空间中的流动性，亦象征自我认同的不断重塑。

墙壁：指甲划痕、纸张撕裂、颜料渗透等人为介入，刻画空间“被允许的破坏”与“被禁止的改变”之间的张力。墙体既是承载记忆的画布，也是权力关系的隐喻。

在整个表演过程中，我参与了微妙而持续的破坏行为，以挑战空间的稳定性：刮擦墙壁以记录身体的存在，让墨水渗出预定的边界，并通过修复加固撕裂的纸张--暗示文化身份的重建。观众的出现进一步激活了这一动态过程；他们的动作延伸了墨迹，他们的触摸加深了墙壁的纹理，他们的参与不断重塑着作品。 在一个禁止破坏空间的世界里，个人被剥夺了改变自身环境的权利，从而强化了身份的短暂性和无常性。通过将破坏作为干预手段，这件作品确保了短暂的姿态在空间和记忆中留下持久的印记，将展览现场转变为一个抵抗、妥协和共存的空间。