A good painting has emotions, able to peep out the state of the author's life from between the dots, whether it is excitement, calmness, sadness, regret, pain, or even artifice, fatigue and mistakes.

The large-scale ink work "Me" was I interpretation of my own life, expressing my true state of life at this time and the realisation of life and death, as well as my pursuit of a spiritual ideal world. Such a state is extremely precious, as my life and the work merge into one, becoming independent of my life form at the moment of completion.

The work is the carrier of her spiritual world, and also the "habitat" of my body, on which I steps like a free bird returning to the forest. On the day the work was finished, I sat with my "child" for the whole night, and at dawn, I kissed my work like the earth.

The mountains are high, and the landscape is still in motion. Although I can't reach it, my heart yearns for it. The work uses the Taoist yin and yang to create an overall chakra, using the shape of the desert as a basis for imagery, expressing her worship of "heaven and earth" from childhood to the present, the pursuit of the absolute of time and space, the flow of breath, and the pursuit of the majestic and sublime "realm of the great emptiness". and the pursuit of the majestic and sublime "realm of emptiness". It reflects my thoughts on the cycle of life and the universe.

If this painting gives you the feeling of hypocrisy, even a little bit, I will tear it off immediately. Through this work, I encourages us to think about the true, pristine look of our own lives and our place in the vast and ever-changing universe. This piece embodies the power of art to transcend the limitations of the physical world and feel a deeper exploration and understanding of the spiritual world.